B Dorian Bebop — Cuban Tres

B Dorian Bebop as figure material: the course map with home lit wherever it falls, plus playback.

B Dorian Bebop is 8 notes to the octave (bebop family), drawn here across the Cuban Tres's GCE courses with every B marked, so home stays visible from anywhere in the pattern.

Dorian with a chromatic passing tone slipped between the b3 and the 4 — eight notes, so chord tones keep landing on the strong beats in a run of eighth notes. Cool, flowing, and swinging.

Heard in: Bebop and straight-ahead jazz lines over minor seventh chords — Charlie Parker, Dizzy Gillespie, and the Barry Harris approach.

Three courses tuned GCE put a scale in a narrow, honest place: two or three notes to a course, no spare strings to hide on, and the G course sounding above the C beside it — so a run that looks like it descends on paper can rise under the fingers. These maps mark every root so the figure never loses home.

Practise it as a figure, not a ladder: pick four of its notes, loop them as a two-bar phrase against a slow pulse, then slide the same phrase to the next position. That is how this instrument actually uses a scale — as raw material for a repeating line.