Progressions in B — Cuban Tres

B major harmonises to B – C#m – D#m – E – F# – G#m – A#°; B minor to Bm – C#° – D – Em – F#m – G – A. Each chord links to its Cuban Tres voicings, so a vamp in B becomes a short list of stations before the first repeat.

Most of what a tres plays lives on two or three of these chords at a time — a montuno is a loop, not a journey. Choose the pair the tune leans on, set a figure over them, and let the repetition do the work the arrangement expects of it.